Here's a straight on shot.
This is me in the class... my version of heaven... art supplies everywhere & the people who love to use 'em!
Here's a straight on shot.
This is me in the class... my version of heaven... art supplies everywhere & the people who love to use 'em!
Although I am swamped with homework, fortunately I had to take some time away from it to create something for my page in this years ArtFest fatbook. This is what I ended up with. I learned part of this process in a workshop taught by Traci Bunkers. I took a picture of myself with my Quan Yin statue and enlarged it so that each quadrant was approximately 8" x 11.5". Then I collaged and painted each quadrant separately. After that I put the quadrants back together again. I planned on adding some more collage and paint to the whole thing at his stage but it went into standby mode while I got overwhelmed by textile design school. So there I was worrying about what I would do for my fatbook page and trying to think of something that I could be proud of but would not take tons of time that I didn't have. While I was looking around the studio for inspiration, I happened upon the unfinished portrait and thought it might work. I took a picture of it since it was too big to fit on my scanner then dropped it into Photoshop. I've been wanting to play around with my non-digital art in Photoshop for quite some time now but usually get stuck pretty quickly after it is scanned in. Not this time. I used the hue/saturation feature on lots of different parts of the image and messed around with the brightness/contrast some and this is what I came up with. I then croppped and scaled it down to the right size for the book and printed out 60 copies. I mailed them off to the host tonight. It will be so awesome to see what all the other participants have come up with.I'm really happy with this process and am inspired to do more of this kind of work. I think my new dog Foxy needs a portrait. She would make an awesome subject.
This last one is what the client/instructor chose. She helped me refine my motif by adding some more purposeful line work and color accents. Next I will show you my final painting and some of the motifs I am working on for 3 new assignments.
From the website overview:
"AFRICAN AMERICAN LIVES 2 again journeys deep into ancestry of an all-new group of remarkable individuals, offering an in-depth look at the African-American experience and race relations throughout U.S. history. Harvard professor Henry Louis Gates, Jr. returns as series host, guiding genealogical investigations down through the 20th century, Reconstruction, slavery and early U.S. history, and presenting cutting-edge genetic analysis that locates participants' ancestors in Africa, Europe and America. Joining Professor Gates in the new broadcast are poet Maya Angelou, author Bliss Broyard, actor Don Cheadle, actor Morgan Freeman, theologian Peter Gomes, publisher Linda Johnson Rice, athlete Jackie Joyner-Kersee, radio personality Tom Joyner, comedian Chris Rock, music legend Tina Turner, and college administrator Kathleen Henderson, who was selected from more than 2,000 applicants to have her family history researched and DNA tested alongside the series' well-known guests."
For me this series does an excellent job of laying out the legacy of the dehumanaizing effects of slavery on our country as a whole for all races. The effects are still being felt today although we don't always make the link. Watching this series helps make the link as well as helping me to better understand the feelings I have about race issues.
Once the motif was selected, I reduced it and made a tossed layout.
The client approved the layout and I am working on color comps now. I'll post those when done.
Although I don't plan on ever giving birth, this is a topic that is important to me as a woman. The film examines possible reasons why our country has one of the worst infant mortality birthrates in the developed world - I think it is the second highest. It looks at the way our western medical perspective can encourage pregnant women and their families to feel that birth is a medical catastrophe waiting to happen. In countries with low infant mortality birthrates, use of midwives, doulas, etc. is very high (approx. 80%) and home births are much more acceptable. My desire in writing about this topic is not to say that every woman has to have a home birth. Like most other women's issues, I really just want women to be informed about all the choices available to them and then make the decision that is right for them. I was privileged and honored to attend the birth of a dear friend who was very thoughtful in her delivery choices. Since she was an "older" woman her pregnancy was considered "high risk." Her insurance would not cover any aspect of a home birth. So she and her husband came up with a combination of a hospital delivery attended by a midwife, doula and a supportive friend (me). It ended up being exactly the right choice for them. The delivery was awesome and they welcomed a beautiful baby girl into the world. Afterward there was some difficulty in delivering the afterbirth and it was necessary for my friend to have additional medical care at which point we were all grateful to be in the hospital under the expert care of the doctors and nurses. Almost eight months later she and baby are thriving. Although this is a women's issue, it is actually something that we all experience in one form or another. We all have to come through that birth canal and that first ride should be the best of experiences.